Every Video Is a Scene
The Blood Eternal saga told in motion — cinematic, cathedral-lit, and drawn straight from all three albums. The newest: 'Devil in High Heels,' 'Black Halo' and 'Broken Halo,' one new video from each record.
On YouTube
Watch the latest uploads straight from the band's official YouTube channel.
Every Video Is a Scene
Signature videos from all three records — a nightclub called HEAVEN, a candlelit club and a rain-soaked street, a ruined chapel where a halo goes black, the Covenant's fortress and Great Hall, the crypts beneath it and the hall where a new pact is sworn, the Cathedral of Eternal Night, and the cemetery under a crimson moon.
HEAVEN, a Nightclub on the Avenue
The fourth video from the third album. A rain-slick avenue at midnight, a nightclub called HEAVEN with a velvet rope and a crowd dressed in white, and a small stone church across the street with its bell swinging. Raven lifts the rope herself and walks in. Every dancer loses step, the white lights die one by one, and the floor turns crimson. "Say your prayers." Too late.
A Ruined Chapel
The fourth video from the debut album, and the choice at the heart of it. Raven alone in a ruined chapel at night, where a stained-glass saint's gold halo is the only colour in the room. As the song climbs the gold drains out of the glass, the candle flames turn black, and by the last chorus the black halo hangs over Raven herself. She is smiling.
The Fortress, and a Room She Left Behind
Two worlds cut against each other, the same face in both. Then: a small sunlit bedroom, a girl at a mirror, rain on the glass. Now: the snow-covered fortress and its vast candlelit hall, Raven in the long crimson-lined coat, alone in rooms built for three hundred. The mirror is the hinge, and the halo is a cracked ring of crimson glass she picks up at the final chorus and holds to the light. Not completely shattered, not completely whole.
Close Quarters
The third video from the third album. Not a ballad. A dark, heavy groove about two people who know they're terrible for each other and keep coming back anyway. Raven and a stranger trade looks across a dim club, then a hotel room, then a stage drowned in red light, the verses intimate and teasing until the full band blows the doors open. It ends on a hard stop: "Tell me you hate me… now prove it."
A City That Never Sleeps
The second video from the third album. Raven walks the city at night with a betrayal she has already finished feeling. She finds him, faces him in the hallway, and turns away. By the time she reaches the stage he isn't worth hating anymore, and two words close it out: "We're done."
An Underground Gothic Club
The title track and the first video from the third album. A well-dressed stranger watches Raven across a candlelit club, then follows her out into the rain. Every shot tells you she's the one in danger, right up until it doesn't. She clocked him in the bar mirror before he ever moved, and she led him exactly where she wanted him.
The New Covenant
The title track and the close of the record. Raven forms a new covenant with her band — one built on loyalty instead of fear — the four of them together, a new pact sworn in a hall they chose. It ends looking outward, toward the war still coming.
Underground Crypts
The curse begins to overwhelm her. Raven is driven down into the crypts beneath the court, the hunger rendered as the architecture itself closing in around her — resisting stops being a choice and becomes a fight she is losing.
The Great Hall
An ancient messenger arrives carrying an invitation Raven cannot refuse. A hooded emissary crosses a vast candlelit medieval hall — three hundred empty seats, one sealed letter set down on a stone table. The Crimson Covenant has been watching her since the night she turned.
The Cathedral, the Cemetery, and the Crimson Moon
The first video from the second album, picking up where the debut ended. Raven wakes in an empty cathedral among hundreds of candles and already knows what she has become. She walks out of the dark, crosses a cemetery under a blood-red moon as the ravens gather, and sees a fortress on the horizon burning with a single crimson window. Something ancient is calling. She does not look back.
The Cathedral / Inside Raven's Mind
Begins live-action with Raven in the Cathedral of Eternal Night. As the verse begins, Raven slowly transforms into a dark animated version of herself. The cathedral becomes the inside of her mind — breathing walls, moving shadows, cracked mirrors, distorted reflections, and monsters formed from grief, fear, loneliness, and regret. The video ends with Raven returning to live-action reality: she stands with her head lowered, then snaps her head up and looks directly into the camera.
Cathedral & Moonlit City
A romantic vampire story unfolding across the Cathedral and a moonlit city.
Victorian Cemetery
Set in the Victorian cemetery surrounding the Cathedral of Eternal Night. The cemetery becomes a dark romantic masquerade of candlelight, black roses, fog, moonlight, and crimson velvet. The mood is seductive, cinematic, and elegant rather than explicit.
Cathedral Finale
An epic ending; the full band united in the Cathedral finale.
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